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Moon Feathers

by John Ralston

/
1.
I felt fine. Have you felt fine? I felt fine. Have you ever felt fine? Have you ever felt anything but hunger at all?
2.
I'm a spoke, turning on the wheel I just go with the driver's will Do my job, that old routine Who needs to stand when you got a place to lean? I'm a spoke, turning on the wheel I just go with the driver's will
3.
End Guitar 02:18
4.
Little Echo 01:58
5.
I'd like to think about nothing at all. Sit back and think about nothing at all. So why can't I think about nothing at all? Who's got time to waste? The river don't think about nothing at all. A mountain it thinks about nothing at all. The sunrise don't think about nothing at all. Who's got time to waste?
6.
Who's that yelling? What's wrong the man? New port bells ring, sounding off to plan Aged fat jelly, painted with a tan What's that smelling up the garbage can? Human shelling Bomb me with demands Who's that yelling? What's up the man? Sycophant he says this is the plan Eating jelly, painted verbal tan Something smells, he left it in the pan Who's that yelling? What's up the man? New port bells ring, sounding off to plan Aged fat jelly, painted with a tan What's that smelling up the garbage can? Human shelling Bomb me with demands Who's that yelling? What's up the man? Sycophant he says this is the plan Eating jelly, painted verbal tan Something smells, he left it in the pan Who's that yelling? What's wrong with the man? Who's that yelling? What's wrong with him?
7.
Words 02:17
"Shapes" is a hopeful word, unless they're out there moving in the dark in a wave with intent unknown. Makes you shiver in the tone when you're swimming all alone. The words that you say can mean so many things in the heart of the one you're speaking to. "Breaks" has a damning sound you can hear the noise it makes; see it crashing to the ground in a wave. But there's another side too - when the fever ends that put the fear in you. The words that you say can mean so many things in the heart of the one you're speaking to.
8.
9.
Ghost Radio 07:59
I was tuning in to Ghost Radio out on the moonlit wind, with Arpeggio. In the pregnant pause of the minor 10th, I was listening close. Leaning into it. In the driver's seat for a midnight mile, I wondered what it was that halfway made you smile. Keep my eyes on the road. It's what I know. After all it's just Ghost Radio. Eagle on my wall. Falcon on my chest. I made it known for you. You'll always be the best. Feather's from the moon make it down by day. I catch them each by one, and then we'll set the day. I'm a Desert, I know. It's not like I mean to. I just start stretching out. I end up lonely too. What else could we try? Where else could we go? I'm tuning up the dial to Ghost Radio. I start remembering. I never really know who I'm gonna hear on Ghost Radio. I close my eyes tonight. It's all I've ever known. Ringing in my ear is Arpeggio. In the driver's seat for a midnight mile, I wondered what it was that halfway made you smile. I keep my eyes on the road. It's all in what I know. After all it's just Ghost Radio.

about

Recorded in Lake Worth, FL and Winston-Salem, NC over the course of 2017 and into 2018.

The album cover for 'Moon Feathers' features a photograph from friend and artist, Adam Perry. It takes some people longer to see it than others, but eventually most can make out where they've seen this before. It's the Statue of Liberty, but it's a view we are not accustomed to seeing. It's a view that for some of us is unrecognizable. That's what I love the most about this photo. America from a different perspective.

credits

released June 7, 2020

Mastering: Michael Seaman
Produced by John Ralston except "Words" produced by J. Phillip Wilkins
Recorded and Mixed by John Ralston
Drums on "Ghost Radio" by Michael Seaman
Layout & Photography by Adam Perry

"Who's That Yelling"
Electric Guitar: (Ovation Viper into Magnetic Effects "Solar Bender" into Fender Princeton Reverb mic'd with EV654 into CAPI VP28 Preamp & Fender Strat into Magnetic Effects "Satellite" direct into Hairball Audio Bronze Preamp into Pro VLA)
Vocals: Probably the AT4033 into the LA-610 and run through a Boss Phase Shifter and Cream City Pedals Trem D'La Trem
Keys: Not sure what I used at the end of the song. Maybe the String Solina? Maybe a Solina patch on my Alesis Micron?

"Words"
*Produced by J. Phillip Wilkins
Acoustic Guitar: (60's Gibson LG mic'd with a Stellar CM5 on the neck into a CAPI VP26 preamp and a Rode Nt5 on the body into Hairball Audio Bronze)
Electric Guitar: (Ovation Viper into EHX Electric Mistress into Princeton Reverb mic'd with a Cascade Victor ribbon into CAPI VP26)
Vocals: (ADK Hamburg and Rode NT5 into CAPI VP28)
Arp String Solina
Drum Loop: (Korg Triton through a ton of pedals)
Arpeggio Keys: (Korg Triton)
Reamping: (Lots of reamping through my 70's Memory Man pedal on this one)
Slide Guitar: (Beer bottle slide)

"We were standing on the small summit right next to it"
Intro Loop: (EHX Electric Mistress was generating this pattern so I ran it through a little Artec Tape Echo, Ibanez Super Stereo Chorus, Magnetic Effects Satellite into the Princeton Reverb mic'd with a Cascade Victor ribbon into CAPI VP26)
Keys/Arpeggios: (Various patches on the Korg Triton including "Ocean Strings" and "Bassoon")
Bass: Univox Hollowbody Bass

"Nothing At All"
Drum Loop: (Alesis SR16)
Bass Guitar: (70's Fender Mustang)
Electric Guitar: (Fender Jazzmaster with Mastery Bridge now owned by Chris Horgan)
Keys: (I think this was all on my Yamaha CS1x)

"Little Echo"
I lost my notes on this one so I don't know what guitars I used.
Keys: (CS1x Ocarina patch)
Arpeggio: MS20 into SQ-1

"End Guitar"
Electric Guitar: (Unknown guitar into Moof MF Trem pedal)
Keys: (Alesis Micron into Princeton Reverb mic'd by an EV654 going into LA-610. Various patches used: Bachman, Animaotor, EMI Keys)

"Ghost Radio"
Drums: Michael Seaman
Bass Guitar: Fender Mustang into Wren & Cuff Your Face into CAPI DI into CAPI VP28
Keys: CS1x, Korg Triton

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John Ralston

“I live my life in ever widening circles, each superseding all the previous ones.” -Rilke

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